Sambo (martial art)

Sambo, Cамбо(rus)
FIAS.png
International Federation of Amateur Sambo
Also known as Sombo, Cambo
Focus Grappling, Full contact fighting, Mixed Martial Arts
Country of origin Russian Federation
Famous practitioners Fedor Emelianenko, Andrei Arlovski
Olympic sport no
Official website www.sambo.com

Sambo (Russian: самбо; САМозащита Без Оружия), in the USA also called Sombo, is an acronym for SAMozashchita Bez Oruzhiya which means "self-defense without weapons", in Russia, is a martial art and combat sport.[1] It is considered relatively modern since its development began in 1920's by the Soviet Red Army to improve their hand to hand combat systems.[2] Intended to be a merger of the most effective techniques of other martial arts, Sambo has roots in Japanese judo and Karate plus traditional folk styles of wrestling such as: Armenian Kokh, Georgian Chidaoba, Romanian Trîntǎ, Tatar Köräş, Uzbek Kurash, Mongolian Khapsagay and Azerbaijani Gulesh.

The pioneers of Sambo were Viktor Spiridonov and Vasili Oshchepkov. Oshchepkov was executed under the orders of Stalin during the political purges of 1937 after accusations of being a Japanese spy. Oshchepkov spent much of his life living in Japan and training judo under its founder Kano Jigoro. The two men independently developed two different styles, which eventually cross-pollinated and became what is known as Sambo. Compared to Oshchepkov's judo based system, then called "Freestyle Wrestling", Spiridonov's style was softer and less strength dependent. This was in large part due to Spiridonov's injuries sustained during World War I.[3]

Anatoly Kharlampiev, a student of Vasili Oshchepkov, is often officially considered the founder of Sport Sambo. In 1938, it was recognized as an official sport by the USSR All-Union Sports Committee.

Contents

Styles

Sport Sambo Leglock (Knee bar)

There are three FIAS recognized competitive sport variations of Sambo (though Sambo techniques and principles can be applied to many other combat sports).[4]

Uniform and Ranking

Sambo Rating Rank Equivalent Competitive Achievement
Third-Class Sportsman city champion
Second-Class Sportsman state champion
First-Class Sportsman regional champion
Candidate for Master of Sports nationally ranked player
Master of Sports national champion
International Master of Sports international champion
Distinguished Master of Sports international champion with

valuable contributions to the sport

A Sambo practitioner normally wears either a red or a blue jacket kurtka (куртка) or sambovka (самбовка), a belt and shorts of the same color, and sambetki самбетки(ru) or bortsovki/борцовки(ru) (Sambo/wrestling shoes). The Sambo uniform does not reflect rank or competitive rating. Sport rules require an athlete to have both red and blue sets to visually distinguish competitors on the mat.

In Russia, a competitive rating system is used rather than belt colors like judo and jiujitsu to demonstrate rank, though some schools around the world now institute belt colors as well. The rating system is called Unified Sports Classification System of the USSR, with the highest athletic distinction known as the Distinguished Masters of Sport in Sambo.

Examination requirements vary depending on the age group and can vary from country to country. The examination itself includes competitive accomplishment as well as technical demonstration of knowledge. Higher level exams must be supervised by independent judges from a national Sambo association. For a rating to be recognized, it must be registered with the national Sambo organization.

History

Origins and influences

Sambo was in part born of native Russian and other regional styles of grappling and combative wrestling, bolstered with the most useful and adaptable concepts and techniques from the rest of the world.

Over the centuries, the inhabitants of what is now known as Russia had had ample opportunity to evaluate the martial skills of various invaders: from the Vikings in the West and from the Tatars and Genghis Khan's Golden Horde from Mongolia in the East. The regional, native combat systems included in Sambo's genesis are Russian fist fighting, Tuvan Khuresh, Yakuts khapsagai, Chuvash akatuy, Georgian chidaoba, Romanian trinta, Armenian kokh, and Uzbek Kurash to name a few.

The foreign influences included various styles of European wrestling, catch wrestling, Japanese jujutsu, French savate, muay thai and other martial arts of the day plus the classical Olympic sports of amateur boxing, Greco-Roman wrestling and freestyle wrestling. Sambo even derived lunging and parrying techniques from the Italian school of swordsmanship.

The founders of Sambo deliberately sifted through all of the world's martial arts available to them to augment their military's hand-to-hand combat system. Sambo's early development stemmed from the independent efforts of Vasili Oschepkov and Victor Spiridonov, to integrate the techniques of judo, jujitsu, and other foreign martial arts into native wrestling styles. Oschepkov taught judo and karate to elite Red Army forces at the Central Red Army House. He was one of the first foreigners to learn Judo in Japan and had earned his nidan (second degree black belt, out of then five) from judo's founder, Kano Jigoro. Spiridonov's background involved indigenous martial arts from various Soviet regions as well as an interest in Japanese JuJitsu (though he never formally trained it). His reliance on movement over strength was in part based on the fact that he received a bayonet wound during the World War I which left his left arm lame. Both Oschepkov and Spiridonov independently hoped that Soviet military hand-to-hand combat techniques could be improved with an infusion of the techniques distilled from other foreign martial arts. Contrary to common lore, Oschepkov and Spiridonov did not cooperate on the development of their hand-to-hand systems. Rather, their independent notions of hand-to-hand combat merged through cross-training between students and formulative efforts by their students and military staff. While Oschepkov and Spiridonov did have occasion to collaborate, their efforts were not completely united.

Each technique was carefully dissected and considered for its merits, and if found acceptable in unarmed combat, refined to reach Sambo's ultimate goal: to stop an armed or unarmed adversary in the least time possible. Thus, the best techniques of jujutsu, judo, ond other martial systems joined with the indigenous fighting styles to form the Sambo repertoire. When the techniques were perfected, they were woven into Sambo applications for personal self-defense, police, crowd control, border guards, secret police, dignitary protection, psychiatric hospital staff, military, and commandos.

Development

In 1918, Lenin created Vsevobuch (General Military Training) under the leadership of N.I. Podvoyskiy to train the Red Army. The task of developing and organizing Russian military hand-to-hand combat training fell to K. Voroshilov, who in turn, created the NKVD physical training center Dinamo.

Spiridonov was a combat veteran of World War I and one of the first wrestling and self-defense instructors hired for Dynamo. His background included Greco-Roman wrestling, freestyle wrestling, many Slavic wrestling styles, and Japanese jujutsu. As a combatives investigator for Dynamo, he traveled to Mongolia and China to observe their native fighting styles.

In 1923, Oschepkov and Spiridinov collaborated (independently) with a team of other experts on a grant from the Soviet government to improve the Red Army's hand-to-hand combat system. Spiridonov had envisioned integrating the most practical aspects of the world's fighting systems into one comprehensive style that could adapt to any threat. Oschepkov had observed Kano's distillation of Tenjin Shin’yo Ryu jujutsu and Kito Ryu jujutsu into judo, and he had developed the insight required to evaluate and integrate combative techniques into a new system. Their developments were supplemented by Anatoly Kharlampiev and I.V. Vasiliev who also traveled the globe to study the native fighting arts of the world. Ten years in the making, their catalogue of techniques was instrumental in formulating the early framework of the art to be eventually referred to as Sambo.

Kharlampiev is often called the father of Sambo. This may be largely semantics, since only he had the longevity and political connections to remain with the art while the new system was named "Sambo". However, Kharlampiev's political maneuvering is single-handedly responsible for the USSR Committee of Sport accepting Sambo as the official combat sport of the Soviet Union in 1938—decidedly the "birth" of Sambo. So, more accurately, Kharlampiev could be considered the father of "sport" Sambo.

Spiridonov was the first to actually begin referring to the new system as one of the "S" variations cited above. He eventually developed a softer, more aikido-like system called Samoz that could be used by smaller, weaker practitioners or even wounded soldiers and secret agents. Spiridonov's inspiration to develop 'Samoz' stemmed from his WWI bayonet injury, which greatly restricted his (left arm and thus his) ability to practice Sambo or wrestle. Refined versions of Sambo are still used today or fused with specific Sambo applications to meet the needs of Russian commandos today.

As an Olympic Sport

It is often stated that Sambo was a demonstration sport at the 1980 Summer Olympics in Moscow, USSR. Youth Sambo was demonstrated in the Games' opening ceremonies; however, Sambo was not formally recognized as demonstration sport. This common error in history books is noted in several sources including History of SAMBO by A. Makoveski and Lukashev's History of Hand-to-Hand Combat in the First Half of the 20th Century: Founders and Authors .[7] Furthermore, the official documents of the 1980 Olympic Organizing Committee do not mention Sambo as a participating sport in the Games.[8]

Today

In 1968, the FILA accepted Sambo as the third style of international wrestling. In 1985, the Sambo community formed its own organization, Federation International Amateur Sambo (FIAS). In 1993, FIAS split into two organizations, both used the same name and logo and the two groups were often referred to as FIAS "East" (under Russian control) and FIAS "West" (under US and Western European control). This split mirrored the last days of Cold War politics of the time as well as the recent break-up of the Soviet Union. In 2005, FILA reached an agreement with FIAS "West" and re-assumed sanctioning over sport Sambo.[9] However, in 2008, FILA again discontinued sanctioning sambo and sambo is now notably missing from the FILA website.[10] At present, FIAS sanctions international competition in sport and combat sambo.

World Sambo Championships

The results of the past four World Sambo Championships:

Medal table (2006-2009)

 Rank  Nation Gold Silver Bronze Total
1  Russia 58 24 17 99
2  Belarus 12 11 18 41
3  Bulgaria 12 10 21 43
4  Ukraine 7 17 26 50
5  Mongolia 4 7 7 18
6  Kazakhstan 4 5 22 31
7  Lithuania 2 4 11 17
8  Georgia 2 4 8 14
9  Uzbekistan 1 8 15 24
10  Kyrgyzstan 1 2 4 7
10  Serbia 1 2 4 7
12  Tajikistan 1 2 3 6
13  Latvia 1 1 3 5
14  Moldova 1 0 5 6
15  Venezuela 0 3 7 10
16  Armenia 0 2 6 8
17  Azerbaijan 0 2 4 6
18  Japan 0 1 4 5
19  France 0 1 3 4
19  Romania 0 1 3 4
19  Estonia 0 1 3 4
22  Germany 0 1 1 2
22  Colombia 0 1 1 2
24  Israel 0 1 0 1
25  Greece 0 0 2 2
25  Spain 0 0 2 2
27  Czech Republic 0 0 1 1
27  Indonesia 0 0 1 1
27  Iran 0 0 1 1
27  Jordan 0 0 1 1
27  United States 0 0 1 1
27  Turkmenistan 0 0 1 1
27  South Korea 0 0 1 1
27  Slovenia 0 0 1 1
Total 107 111 207 425

Practitioners

Champions

The World Sambo Academy in Kstovo, the venue of many Sambo competitions

Other notable practitioners

Fictional practitioners

Footnotes

Sources

External links

Organisations

Other